My Reaction |
The first half of the concert went well. Bihn Park, a fellow cellist, gave a wonderful speech introducing the Britten Violin Concerto. The acoustics of Ozawa Hall were spectacular, and even though the hall wasn't as resonant with all the people inside (compared to during our dress rehearsal), I could still hear Gil Shaham crystal clear during all movements of the Britten.
During intermission, sure enough, Yo-Yo Ma was there with his smiling face and friendly demeanor. Out of all the excitement, NYO musicians literally mobbed him in the hallways. I was a little late getting off stage, so I could barely see him by the time I got backstage. It was overwhelming, and I didn't want to push through the crowd. Instead, I loitered around on the outskirts of the pack, catching an occasional glimpse of him laughing. Oh how I wished I could be on the inside!
I really wanted to introduce myself. |
All of a sudden, I heard a call for a cello section picture with Yo-Yo Ma. Now I had an excuse to wheedle through the crowd. But even after Chris Lee took our photo, everyone started speaking at once - until Maestro Zander came along and gave Yo-Yo Ma a giant hug. He explained that Yo-Yo Ma had played a concerto as a freshman at Harvard under his direction. Then the best thing happened: Maestro Zander introduced me personally to Yo-Yo Ma! Even though Yo-Yo Ma had to leave to get back in the audience right away, I got to shake his hand and introduce myself as a to-be Boston dweller!
Whee!
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